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Home  ›  How To Draw Leaves On The Ground

How To Draw Leaves On The Ground

Written By Tuesday, March 29, 2022 Add Comment Edit

A leaf is a beautiful symbol of nature and alternation of seasons. Some leaves accept a simple shape that is then easy to draw; some demonstrate a very complex outline.

If y'all're wondering how to bargain with those intricate shapes, this tutorial is just for yous!

Nosotros'll observe four examples of natural composure: a maple leafage, an oak leaf, a fig foliage, and a four-leaf clover.

What You Volition Need

To complete this tutorial, you'll need the following equipment:

  • an HB graphite pencil
  • a 3B graphite pencil
  • an eraser
  • cartoon newspaper
Art supplies for this project Art supplies for this project Art supplies for this project

ane. How to Draw a Maple Leaf

Step 1

With an HB pencil, I draw the cadre line of the leaf and the extension for its petiole (a leaf'due south stem).

I mark the top and lesser borders of the leaf.

Drawing the core lines Drawing the core lines Drawing the core lines

Stride 2

I draw six directional lines of the leafage's veins. The core line is too a reference for the key vein (the midrib).

Drawing the veins of the leaf Drawing the veins of the leaf Drawing the veins of the leaf

Step 3

To design a maple leafage shape, we have to start with a framework.

I add 2 points on each side of the midrib. Then I create a shape that resembles an irregular rhombus; it connects the base of the foliage, its central tip, and ii points in the upper part of the form.

Drawing the first core segment Drawing the first core segment Drawing the first core segment

Step 4

I create two more shapes equally we did in the previous step. The only difference is that the side shapes are joint with the central construction.

The sides of each shape are not equal, and this is done on purpose. A maple leafage has symmetrical features, but it always has some deviations or imperfections.

Adding two core segments Adding two core segments Adding two core segments

Stride five

I describe 2 more shapes, post-obit the same logic.

Adding new segments to the shape Adding new segments to the shape Adding new segments to the shape

Step half dozen

I add 2 notched elements on the bottom part of the leafage. They complete the core framework.

Adding two smaller elements Adding two smaller elements Adding two smaller elements

Step 7

I depict the lobes of the primal part of the leaf, starting with three of them…

Drawing two lobes of the first segment Drawing two lobes of the first segment Drawing two lobes of the first segment

… and so adding 2 more lobes slightly below.

Don't be afraid to deviate from the initial framework; information technology is our reference and not a rigid restrictor.

Adding two lobes to the first segment Adding two lobes to the first segment Adding two lobes to the first segment

Step viii

I add together v lobes of the adjacent segment.

Some lobes are sharper and longer; the diversity is necessary when it comes to cartoon natural forms.

Drawing the lobes of the second segment Drawing the lobes of the second segment Drawing the lobes of the second segment

Footstep 9

I describe the lobes of the tertiary segment.

Adding the lobes of the next segment Adding the lobes of the next segment Adding the lobes of the next segment

Step 10

The next two segments are relatively small. They take four pronounced lobes.

I refine the part of the leaf that is on the left side.

Step 11

Now I draw the lobes of the fifth segment.

Adding the lobes to the fifth segment Adding the lobes to the fifth segment Adding the lobes to the fifth segment

Footstep 12

I refine the shapes of the lower, boosted parts of the leaf. They usually have just ane pronounced lobe each (less often, they have ii).

Completing the contours of the leaf Completing the contours of the leaf Completing the contours of the leaf

Step thirteen

I erase all the subsidiary lines, leaving just the contours of the maple leaf.

The shape of the maple leaf The shape of the maple leaf The shape of the maple leaf

Information technology'southward time to draw the pattern of the secondary veins that are going from the primary veins to the sides. I outset with the central vein, the midrib.

Some veins are longer and thicker; they usually go towards the lobes.

Adding the secondary veins Adding the secondary veins Adding the secondary veins

Pace 14

I add the secondary veins to all of the primary veins of the leaf.

Completing the pattern of secondary veins Completing the pattern of secondary veins Completing the pattern of secondary veins

Step 15

I add the tertiary veins that are branching from the secondary veins; they are barely visible.

Don't draw all the small elements; our job is to create simply a hint at the details.

Adding more barely visible veins Adding more barely visible veins Adding more barely visible veins

Step 16

Let'southward make our sketch more realistic. I add the hatching to the sides of the leaf, using the HB pencil.

I besides darken the spaces between the primary veins and the veins themselves. So I add some thickness to the petiole.

Shading the leaf Shading the leaf Shading the leaf

Stride 17

I add together more hatches, making the leaf more contrasting.

Darkening the leaf drawing Darkening the leaf drawing Darkening the leaf drawing

Footstep eighteen

I evaluate my drawing; it feels merely a flake unnatural or maybe too perfect. To ready that, I add together a design of semicircles and thick strokes, using the 3B graphite pencil.

At present the drawing looks similar a fallen fall leaf!

Adding the imperfections Adding the imperfections Adding the imperfections

ii. How to Draw an Oak Leaf

Step 1

With the HB pencil, I draw the cadre line of the leaf (it will be the reference for the midrib) and mark its borders.

Drawing the core lines of the leaf Drawing the core lines of the leaf Drawing the core lines of the leaf

Step two

I draw an uneven shape that resembles an egg. This shape will help the states to design the leafage.

Adding the core shape Adding the core shape Adding the core shape

Step 3

I mark the borders of the leafage's lobes. Oak leaves usually take a considerable asymmetry, so feel free to be as artistic as you wish.

Drawing the marks for the lobes Drawing the marks for the lobes Drawing the marks for the lobes

Step 4

I refine the midrib and draw the secondary veins.

Drawing the veins Drawing the veins Drawing the veins

Stride 5

I work on the upper part of the leaf, outlining the petiole and drawing the first pair of lobes.

Refining the top of the leaf shape Refining the top of the leaf shape Refining the top of the leaf shape

Step 6

I describe 3 lobes on the left side. The lobes oft take small-scale additional curves that make the shapes unique and even more than attractive.

Drawing three lobes on the left side Drawing three lobes on the left side Drawing three lobes on the left side

Step 7

I outline iii lobes on the right side of the leaf.

Adding three more lobes Adding three more lobes Adding three more lobes

Step viii

I work on the bottom part of the oak leaf, adding three rounded lobes.

Refining the shape in the bottom part Refining the shape in the bottom part Refining the shape in the bottom part

Step 9

I draw the pattern of the third veins; they are very low-cal and relatively short.

Adding the net of veins Adding the net of veins Adding the net of veins

Step 10

With the HB pencil, I darken the veins and the areas between the lobes.

Shading the artwork Shading the artwork Shading the artwork

Step eleven

I utilise a layer of lite hatching, using the HB pencil, and shade the sides of the leaf.

The drawing is complete!

Completing the oak leaf drawing Completing the oak leaf drawing Completing the oak leaf drawing

3. How to Depict a Fig Leaf

Step 1

With the HB pencil, I depict the core line of the leaf and marker its borders, including the boundary betwixt the stalk and the petiole.

Drawing the core lines Drawing the core lines Drawing the core lines

Pace 2

I refine the shape of the petiole. I also add together the first segment of the leafage—information technology has a peculiar form.

Fig leaves are symmetrical, so we'll depict the left one-half first and so recreate information technology on the correct side.

Drawing the first segment of the leaf Drawing the first segment of the leaf Drawing the first segment of the leaf

Step 3

I draw the secondary vein and outline the second segment of the leafage, using an organic, uneven contour. This office is longer and bigger than the first one.

Pay attention to the sinus of the fig leaf; our job is to brand it pronounced.

Adding the second segment of the leaf Adding the second segment of the leaf Adding the second segment of the leaf

Stride iv

I draw the lesser segment of the fig leaf. It ends with a pointed tip.

Completing the contour of the half Completing the contour of the half Completing the contour of the half

Step 5

I draw another part of the foliage, trying to make information technology equally close to the existing one as I tin can. However, if you allow some imperfections, it won't ruin your artwork.

Drawing the other half of the leaf Drawing the other half of the leaf Drawing the other half of the leaf

Footstep six

I add together several more pairs of secondary veins.

Adding the secondary veins Adding the secondary veins Adding the secondary veins

Pace vii

I draw a net of sparse tertiary veins. This will add brownie to the sketch.

Adding the tertiary veins Adding the tertiary veins Adding the tertiary veins

Step eight

Fig leaves are relatively nighttime; their texture is smooth and velvety. To create an illusion of this texture, I apply soft strokes with the 3B pencil.

I start with one side of the leafage, darkening the central part and the sides. The midrib and the secondary veins of a fig leafage should remain light.

Shading the fig leaf Shading the fig leaf Shading the fig leaf

Step 9

I apply the3B soft pencil strokes to the sides of the blade, creating an illusion of small-scale folds.

Working on the relief of the leaf Working on the relief of the leaf Working on the relief of the leaf

Step 10

I go along adding soft graphite strokes. The transition of value in the drawing should be smoothen.

Completing the fig leaf drawing Completing the fig leaf drawing Completing the fig leaf drawing

4. How to Draw a Four-Leaf Clover

Stride one

In this part of the tutorial, we'll be working on a wonderful symbol of skillful luck: the four-leaf clover. Sounds like fun, doesn't information technology?

I mark the central signal of the shape and add together 2 directional lines with the borders.

Drawing the core lines Drawing the core lines Drawing the core lines

Step 2

I depict a tear-shaped chemical element of the get-go leaf…

Drawing the first element of this shape Drawing the first element of this shape Drawing the first element of this shape

... and then add the remaining leaves. Some elements may overlap the others.

Completing the sketchy shape Completing the sketchy shape Completing the sketchy shape

Step 3

I refine the shape of the leaves, making the angular dents. The shapes resemble hearts now.

Refining the leaves Refining the leaves Refining the leaves

Stride four

I mark a pattern of the leaves; this item will make the drawing more interesting and apparent.

Drawing the pattern Drawing the pattern Drawing the pattern

Footstep 5

I erase the borders of the blueprint—we demand to keep it light and blurry. Then I add together a subtle net of thin veins and darken the cores of each leaf.

Adding the details Adding the details Adding the details

Step six

I apply a calorie-free hatching to the leaves, using the HB graphite pencil. To fill up the place of the pattern, I depict small semicircles.

Applying the base layer of hatching Applying the base layer of hatching Applying the base layer of hatching

Pace 7

I darken the leaf with soft strokes, using the 3B pencil. You tin use a hatching or random scribbly strokes for that.

Adding the hatching with a softer pencil Adding the hatching with a softer pencil Adding the hatching with a softer pencil

Footstep 8

I increase the contrast even more, calculation the 3B pencil strokes to the tips of the leaves and accenting the drop shadows from the neighboring leaves.

Completing the drawing of the four-leaf clover Completing the drawing of the four-leaf clover Completing the drawing of the four-leaf clover

Your Drawings Are Complete

Congratulations—we've created four cute graphite pencil sketches! I hope you were inspired by the leaves and enjoyed the process of cartoon.

For practice, I recommend that you try getting some existent leaves (or other objects) and making your own sketches. It will assistance yous to develop your observation skills and understand the principles of shading with graphite pencils much better.

Allow your creative journey be fruitful and full of joy!

The result The result The result

Source: https://design.tutsplus.com/tutorials/how-to-draw-a-leaf-step-by-step--cms-29685

Posted by: grahamsatchis.blogspot.com

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